By Melissa J. Homestead
Via an exploration of girls authors'engagements with copyright and married ladies estate legislation, American girls authors and Literary estate, 1822-1869, revises nineteenth-century American literary background, making women's authorship and copyright legislations principal. utilizing case reports of 5 renowned fiction writers Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Evans, and Mary Virginia Terhunee, abode exhibits how the convergence of copyright and coverture either fostered and restricted white women's organization as authors. ladies authors exploited their prestige as nonproprietary topics to virtue by means of adapting themselves to a copyright legislations that privileged readers entry to literature over authors estate rights. Homesteads' inclusion of the Confederacy during this paintings sheds gentle at the centrality of copyright to nineteenth-century American nationalisms and at the strikingly diversified building of author-reader kin less than U.S. and accomplice copyright legislation.
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Extra resources for American Women Authors and Literary Property, 1822-1869
2 (1988): 495. , 497. P1: NPK/ICD 0521853826c01 0 521 85382 6 CUNY038B/Homestead July 28, 2005 16:15 34 American Women Authors and Literary Property, 1822–1869 examination of the legitimacy of claims by the registrant, who simply paid a small fee and presented a printed title page of the work before publication of the work as a whole. Federal district courts, and later the Library of Congress, simply recorded registrations and accepted deposits of works after publication rather than accepting applications and subjecting them to examination.
In reconstructing both public debates and authorial activities, I aim to recover how readers and the authors themselves understood and interpreted women’s authorial proprietorship. These reconstructions contribute to literary history both transferable insights about the cultural meanings of authorship in nineteenth-century America and more local, factual knowledge about each woman’s career. Scholarship on nineteenth-century American women authors has relied too frequently on unsubstantiated anecdotes, reminiscences, and received wisdom rather than on research into available sources contemporaneous to important events.
Perhaps the very early public debates about the desirability of international copyright spurred by the 1830 copyright term extension prompted him to be more adamant in his support of copyright. , II:366. , II:280. 13 Weinauer, “Alternative Economies,” 169. P1: NPK/ICD 0521853826c01 0 521 85382 6 CUNY038B/Homestead July 28, 2005 16:15 28 American Women Authors and Literary Property, 1822–1869 doctrine of coverture, married women are not “persons” capable of acquiring property, either by original acquisition or by transfer.
American Women Authors and Literary Property, 1822-1869 by Melissa J. Homestead